Stylist Mimi Cuttrell curated the look, which incorporates the bubble skirt trend in a way that honestly reads almost like a sly interpretation of method dressing and a direct nod to Grande's first Wicked scene, in which Glinda literally floats down in a bubble.
While her talent as Glinda in Wicked is being measured in rave reviews and now awards, her dedication to style over the last few months also deserves recognition. For this special night, Grande wore a regal Louis Vuitton gown to keep the Good Witch alive.
Ariana Grande has been doing the press circuit all weekend long, wearing a Louis Vuitton bubble dress and vintage Chanel midi dress in Palm Springs, California, on Friday and Saturday. Tonight ...
Ariana Grande has not only been redefining pop culture but has also showcased a stunning fashion evolution. Her longtime stylist, Mimi Cuttrell, recently shared the singer’s photos where she put on a leggy display in a black-and-white dress.
The “Wicked” star paid homage to the yellow brick road as she channeled the late actress in a vintage Givenchy gown from 1966.
At the Golden Globes, Erivo looked witchy in custom Louis Vuitton while Grande opted for vintage Givenchy dress from 1966. At Variety's 10 Directors To Watch and Creative Impact Awards at the Palm ...
Cynthia Erivo attends the Palm Springs International Film Festival Film Awards, plus Ariana Grande, Angelina Jolie and more. From Hollywood to New York and everywhere in between, see what your favorite stars are up to.
If you thought you had Ariana Grande and Cynthia Erivo’s Golden Globes looks all figured out, think again. Sure, it might have been easy to assume they’d show up in pink and green—an homage to their Wicked roles as Glinda and Elphaba.
At the very first premiere, Grande and Erivo made a splash: Grande wore custom Vivienne Westwood and Lorraine Schwartz jewelry, paying homage to Glinda the Good Witch in the original Wizard of Oz film, while Erivo was in custom Louis Vuitton and Roberto Coin.
As the 2025 awards season remains in flux due to the ongoing L.A. wildfires, THR looks at the economic impact, and a hopeful future, of Hollywood red carpets.
The five-minute film, written and directed by Rhys Raiskin, nods to Patou artistic director Guillaume Henry's passion for French cinema, in particular the New Wave era.